Socials
Social Posts
Platform-native content and paid sound creative, including a TikTok edit for Sienna Spiro’s “Die On This Hill” that reached 860k views and 94.6k likes organically.
Year
Ongoing
Industry
Music
Client
Various
Project Duration
Ongoing
Project Overview:
“Die On This Hill” is a lyric-driven track with a strong emotional pull, and I wanted to create a visual that matched the pressure, release and internal tension of the song. Instead of a standard text-on-screen edit, I built the piece inside a 3D phone environment - using UI motion, layered screens and structured transitions to make the lyrics feel part of an interface rather than just captions.
The result was a clean, modern, motion-led visual that feels more like a digital experience than a traditional music edit.
Visual & Motion Direction:
The entire animation was designed to feel like an elevated, fictional OS - a mix between iOS clarity, app-level UI panels, and stylised lyric interactions. Each lyric was given a physical “space” within the UI so the viewer always knew where to look.
Movements were kept smooth but intentional: sliding panels, snap-to-grid transitions, layered depth, and shifting 3D camera moves. The goal was to create something that felt premium and structured while still carrying the emotional tone of the track.
Technical Execution:
The edit was built around a 3D phone model and a modular OS-style layout. I animated the device in 3D space, syncing rotations and perspective shifts to the beat so the phone becomes part of the rhythm.
UI elements were constructed inside After Effects, then animated to match each lyric phrase. Depth, blur, and layered motion gave the piece a tactile feel, while controlled easing curves kept everything grounded in believable screen behaviour.
Outcome & Extended Style Work:
The video became one of the standout pieces using the sound, reaching 860k+ organic views and 94k+ likes, with viewers engaging heavily with the UI concept. It also sits within a wider body of my UI-based lyric edits - including multi-screen concepts, OS-style interfaces, digital message interpretations, and motion-led typography pieces.
This work showcases my ability to push lyric edits beyond simple text, turning them into structured, design-led visuals with personality, rhythm and strong UI identity.
Socials
Social Posts
Platform-native content and paid sound creative, including a TikTok edit for Sienna Spiro’s “Die On This Hill” that reached 860k views and 94.6k likes organically.
Year
Ongoing
Industry
Music
Client
Various
Project Duration
Ongoing
Project Overview:
“Die On This Hill” is a lyric-driven track with a strong emotional pull, and I wanted to create a visual that matched the pressure, release and internal tension of the song. Instead of a standard text-on-screen edit, I built the piece inside a 3D phone environment - using UI motion, layered screens and structured transitions to make the lyrics feel part of an interface rather than just captions.
The result was a clean, modern, motion-led visual that feels more like a digital experience than a traditional music edit.
Visual & Motion Direction:
The entire animation was designed to feel like an elevated, fictional OS - a mix between iOS clarity, app-level UI panels, and stylised lyric interactions. Each lyric was given a physical “space” within the UI so the viewer always knew where to look.
Movements were kept smooth but intentional: sliding panels, snap-to-grid transitions, layered depth, and shifting 3D camera moves. The goal was to create something that felt premium and structured while still carrying the emotional tone of the track.
Technical Execution:
The edit was built around a 3D phone model and a modular OS-style layout. I animated the device in 3D space, syncing rotations and perspective shifts to the beat so the phone becomes part of the rhythm.
UI elements were constructed inside After Effects, then animated to match each lyric phrase. Depth, blur, and layered motion gave the piece a tactile feel, while controlled easing curves kept everything grounded in believable screen behaviour.
Outcome & Extended Style Work:
The video became one of the standout pieces using the sound, reaching 860k+ organic views and 94k+ likes, with viewers engaging heavily with the UI concept. It also sits within a wider body of my UI-based lyric edits - including multi-screen concepts, OS-style interfaces, digital message interpretations, and motion-led typography pieces.
This work showcases my ability to push lyric edits beyond simple text, turning them into structured, design-led visuals with personality, rhythm and strong UI identity.
Socials
Social Posts
Platform-native content and paid sound creative, including a TikTok edit for Sienna Spiro’s “Die On This Hill” that reached 860k views and 94.6k likes organically.
Year
Ongoing
Industry
Music
Client
Various
Project Duration
Ongoing
Project Overview:
“Die On This Hill” is a lyric-driven track with a strong emotional pull, and I wanted to create a visual that matched the pressure, release and internal tension of the song. Instead of a standard text-on-screen edit, I built the piece inside a 3D phone environment - using UI motion, layered screens and structured transitions to make the lyrics feel part of an interface rather than just captions.
The result was a clean, modern, motion-led visual that feels more like a digital experience than a traditional music edit.
Visual & Motion Direction:
The entire animation was designed to feel like an elevated, fictional OS - a mix between iOS clarity, app-level UI panels, and stylised lyric interactions. Each lyric was given a physical “space” within the UI so the viewer always knew where to look.
Movements were kept smooth but intentional: sliding panels, snap-to-grid transitions, layered depth, and shifting 3D camera moves. The goal was to create something that felt premium and structured while still carrying the emotional tone of the track.
Technical Execution:
The edit was built around a 3D phone model and a modular OS-style layout. I animated the device in 3D space, syncing rotations and perspective shifts to the beat so the phone becomes part of the rhythm.
UI elements were constructed inside After Effects, then animated to match each lyric phrase. Depth, blur, and layered motion gave the piece a tactile feel, while controlled easing curves kept everything grounded in believable screen behaviour.
Outcome & Extended Style Work:
The video became one of the standout pieces using the sound, reaching 860k+ organic views and 94k+ likes, with viewers engaging heavily with the UI concept. It also sits within a wider body of my UI-based lyric edits - including multi-screen concepts, OS-style interfaces, digital message interpretations, and motion-led typography pieces.
This work showcases my ability to push lyric edits beyond simple text, turning them into structured, design-led visuals with personality, rhythm and strong UI identity.